Moving HistoryDancing?Create Cultures - A Dance History Reader
history Books
Contents:
- Ann Dils and Ann Cooper Albright
- First Steps: Moving into the Study of Dance History
- Section 1 -- Thinking About Dance History: Theory and Practices
- Kent C. Bloomer & Charles W. Moore
- Some Twentieth-Century Models of Sense Perception
- Deborah Jowitt
- Writing Beneath the Surface
- Joan Acocella
- Imagining Dance
- Millicent Hodson
- Searching for Nijinsky's Sacre
- Deidre Sklar
- Five Premises for a Culturally Sensitive Approach to Dance
- Joann Kealiinohomoku
- An Anthropologist Looks at Ballet as a Form of Ethnic Dance
- Ramsay Burt
- The Trouble with the Male Dancer
- Ann Cooper Albright
- Strategic Abilities: Negotiating the Disabled Body in Dance
- Sally Ann Ness
- Dancing in the Field: Notes from Memory
- Section 2 -- World Dance Traditions
- Erika Bourgignon
- Trance and Ecstatic Dance
- Avanthi Meduri
- Bharatha Natyam -- What Are You?
- Lisa Doolittle and Heather Elton
- Medicine of the Brave
- Shawna Helland
- The Belly Dance: Ancient Ritual to Cabaret Performance
- Karin van Nieuwkerk
- Changing Images and Shifting Identities: Female Performers in Egypt
- Kariamu Welsh Asante
- Commonalities in African Dance: An Aesthetic Foundation
- Z. S. Strother
- Invention and Re-invention in the Traditional Arts
- Barbara Browning
- Headspin: Capoeira's Ironic Inversions
- Lee Kyong-hee
- Epitome of Korean Folk Dance
- Judy Van Zile
- The Many Faces of Korean Dance
- Mark Franko
- Writing Dancing
- Catherine Turocy
- Beyond La Danse Noble: Conventions in Choreography and Dance Performance at the Time of Rameau's Hippolyte et Aricie
- Lynn Garafola
- The Travesty Dancer in Nineteenth-Century Ballet
- Susan Allene Manning and Melissa Benson
- Interrupted Continuities: Modern Dance in Germany
- Section 3 -- America Dancing
- Sharyn R. Udall
- The Irresistible Other: Hopi Ritual Drama and Euro-American Audiences
- Marian Hannah Winter
- Juba and American Minstrelsy
- Jane Desmond
- Dancing Out the Difference: Cultural Imperialism and Ruth St. Denis's Radha of 1906
- Julie Malnig
- Two-Stepping to Glory
- Ann Daly
- The Natural Body
- Deborah Jowitt
- Form as the Image of Human Perfectibility and Natural Order
- Marcia B. Siegel
- The Harsh and Splendid Heroines of Martha Graham
- Ellen Graff
- The Dance is a Weapon
- Nancy Reynolds
- In His Image: Diaghilev and Lincoln Kirstein
- Brenda Dixon Gottschild
- Stripping the Emperor: The Africanist Presence in American Concert Dance
- Thomas DeFrantz?Create
- Simmering Passivity: The Black Male Body in Concert Dance
- Sally Banes
- Choreographic Methods of the Judson Dance Theater
- Deborah Jowitt
- Chance Heroes. Merce Cunningham
- Section 4 -- Contemporary Dance: Global Contexts
- Cynthia Jean Cohen Bull (aka Novak)
- Looking at Movement as Culture: Contact Improvisation to Disco
- Peter Ryan
- 10,000 Jams Later: Contact Improvisation in Canada 1974–95
- Bonnie Sue Stein
- Butoh: Twenty Years Ago We Were Crazy, Dirty and Mad
- Steve Paxton
- Improvisation Is a Word for Something That Can't Keep a Name
- Kathleen Foreman
- Dancing on the Endangered List: Aesthetics and Politics of Indigenous Dance in the Philippines
- Ananya Chatterjea
- Chandralekha: Negotiating the Female Body and Movement in Cultural/Political?Create Signification
- Uttara Coorlawala
- Ananya and Chandralekha -- A Response to Chandralekha: Negotiating the Female Body and Movement in Cultural/Political?Create Signification
- Ann Cooper Albright
- Embodying History: Epic Narrative and Cultural Identity in African-American Dance
- Susan Foster
- Simply (?) the Doing of it, Like Two Arms Going Round and Round
- Richard Povall
- A Little Technology Is a Dangerous Thing
- Lisa Marie Naugle
- Technique/Technology?Create/Technique?Create
- Ann Dils
Moving HistoryDancing?Create Cultures - A Dance History Reader
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